Mel’s 5 Second Review: The Taking of Deborah Logan

The Taking of Deborah Logan
(2014) Jill Larson, Anne Ramsay, Michelle Ang, Ryan Cutrona, Anne Bedian, Brett Gentile, Jeremy DeCarlos, Tonya Bludsworth, and Julianne Taylor

the-taking-of-deborah-logan

SPOILERS AHEAD

Let me start by stating that I had absolutely no intention of watching this film when I found out it was a found-footage style film. I can count on one hand the number of these films I’ve enjoyed, I just don’t see the appeal. They’re supposed to be more frightening since it’s “more real”, I guess, but really all it is is annoying. The shaky camera, especially when the characters are running (and they always do at some point), is nothing except nausea inducing. You can’t even see what’s happening. It’s a genre that has long over-stayed it’s welcome, and I for one will be happy to see it go away. Alright, so, this film. After reading a few reviews, here and on movie sites, saying how good it was, I decided to go ahead and give it a watch, fully expecting to turn it off halfway. And I have to admit, it was pretty good. Jill Larson turned in a marvelous and rather creepy performance as Deborah, which is good since the rest of the cast is pretty mediocre. It was a little slow in some parts, but it built good suspense, so that was ok. That was the good. Now the bad. The ending left much to be desired. It had everything I mentioned I hated about found footage films, and then some. Running, incoherent yelling, the camera light flicking on and off, the image snowing in and out, tons of static, and it lasted for a good 20 minutes. So that knocked a point off its score. The main film student, Mia, was painfully stupid sometimes, so that knocked off another point. And then there was the whole snake thing, culminating in that moronic head-eating scene, and that squeezed another point off. For a film that had been good and scary, that ending was very much a disappointment. But everything before that was quite impressive, enough that it still manages a score of 7/10.

This film is currently streaming on Netflix and, despite its problems, I still reccomend it. Enjoy!

M.

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